"Should the need arise, I will make mortar and light ordnance"
By Drake Baer
Even a Renaissance man is occasionally on the job hunt.
Such was the case back in the 1480s, when a young Leonardo da Vinci was coming up in Florence.
Born the lowly son of a notary, da Vinci couldn't enter the "higher professions" of the city, like lawyer or statesman. Instead, his lot was that of a craftperson - a painter, to be exact.
Under the tutelage of Verrochio, an established artist and goldsmith, da Vinci honed the powers of observation that would drive his illustrious career.
But Florence, he realized, was crowded with artists. If da Vinci was to make a name for himself, he'd have to try another town.
So he turned his sights toward Milan, then ruled by Ludovico Sforza, who hoped to make Milan a cultural capital on par with Florence and Venice. He also had a habit of getting into wars, as one did back in the day.
Da Vinci applied to work for him, and knowing his potential patron's penchant for war, he wrote a cover letter positioning himself as a military engineer. As the best cover letters do, it tailored his career history to his employer's needs.
Here are a few of the inventions da Vinci proposed:
"In short," he humbly proclaims, "as the variety of circumstances dictate, I will make an infinite number of items for attack and defence."
Surprisingly, the legendary artist doesn't mention his ability as an architect, painter, or sculptor until the close of the letter, and, by today's standards, it's a bit long-winded.
Regardless, the letter worked: Da Vinci worked for the duke for 16 years, completing some of his most memorable work, including "The Last Supper."
Care of blog-based archive Letters of Note, here's the cover letter in full:
Even a Renaissance man is occasionally on the job hunt.
Such was the case back in the 1480s, when a young Leonardo da Vinci was coming up in Florence.
Born the lowly son of a notary, da Vinci couldn't enter the "higher professions" of the city, like lawyer or statesman. Instead, his lot was that of a craftperson - a painter, to be exact.
Under the tutelage of Verrochio, an established artist and goldsmith, da Vinci honed the powers of observation that would drive his illustrious career.
But Florence, he realized, was crowded with artists. If da Vinci was to make a name for himself, he'd have to try another town.
So he turned his sights toward Milan, then ruled by Ludovico Sforza, who hoped to make Milan a cultural capital on par with Florence and Venice. He also had a habit of getting into wars, as one did back in the day.
Da Vinci applied to work for him, and knowing his potential patron's penchant for war, he wrote a cover letter positioning himself as a military engineer. As the best cover letters do, it tailored his career history to his employer's needs.
Here are a few of the inventions da Vinci proposed:
- "Very light, strong and easily portable bridges with which to pursue and, on some occasions, flee the enemy"
- "Covered vehicles, safe and unassailable, which will penetrate the enemy and their artillery"
- "Where the use of cannon is impracticable, I will assemble catapults, mangonels, trebuckets and other instruments of wonderful efficiency not in general use."
- Beyond weapons, da Vinci promised innovations, like tunneling beneath castle walls, redirecting the waters of moats, and methods for destroying fortresses.
"In short," he humbly proclaims, "as the variety of circumstances dictate, I will make an infinite number of items for attack and defence."
Surprisingly, the legendary artist doesn't mention his ability as an architect, painter, or sculptor until the close of the letter, and, by today's standards, it's a bit long-winded.
Regardless, the letter worked: Da Vinci worked for the duke for 16 years, completing some of his most memorable work, including "The Last Supper."
Care of blog-based archive Letters of Note, here's the cover letter in full:
My Most Illustrious Lord,
Having now sufficiently seen and considered the achievements of all those who count themselves masters and artificers of instruments of war, and having noted that the invention and performance of the said instruments is in no way different from that in common usage, I shall endeavour, while intending no discredit to anyone else, to make myself understood to Your Excellency for the purpose of unfolding to you my secrets, and thereafter offering them at your complete disposal, and when the time is right bringing into effective operation all those things which are in part briefly listed below:
1. I have plans for very light, strong and easily portable bridges with which to pursue and, on some occasions, flee the enemy, and others, sturdy and indestructible either by fire or in battle, easy and convenient to lift and place in position. Also means of burning and destroying those of the enemy.
2. I know how, in the course of the siege of a terrain, to remove water from the moats and how to make an infinite number of bridges, mantlets and scaling ladders and other instruments necessary to such an enterprise.
3. Also, if one cannot, when besieging a terrain, proceed by bombardment either because of the height of the glacis or the strength of its situation and location, I have methods for destroying every fortress or other stranglehold unless it has been founded upon a rock or so forth.
4. I have also types of cannon, most convenient and easily portable, with which to hurl small stones almost like a hail-storm; and the smoke from the cannon will instil a great fear in the enemy on account of the grave damage and confusion.
5. Also, I have means of arriving at a designated spot through mines and secret winding passages constructed completely without noise, even if it should be necessary to pass underneath moats or any river.
6. Also, I will make covered vehicles, safe and unassailable, which will penetrate the enemy and their artillery, and there is no host of armed men so great that they would not break through it. And behind these the infantry will be able to follow, quite uninjured and unimpeded.
7. Also, should the need arise, I will make cannon, mortar and light ordnance of very beautiful and functional design that are quite out of the ordinary.
8. Where the use of cannon is impracticable, I will assemble catapults, mangonels, trebuckets and other instruments of wonderful efficiency not in general use. In short, as the variety of circumstances dictate, I will make an infinite number of items for attack and defence.
9. And should a sea battle be occasioned, I have examples of many instruments which are highly suitable either in attack or defence, and craft which will resist the fire of all the heaviest cannon and powder and smoke.
10. In time of peace I believe I can give as complete satisfaction as any other in the field of architecture, and the construction of both public and private buildings, and in conducting water from one place to another.
Also I can execute sculpture in marble, bronze and clay. Likewise in painting, I can do everything possible as well as any other, whosoever he may be.
Moreover, work could be undertaken on the bronze horse which will be to the immortal glory and eternal honour of the auspicious memory of His Lordship your father, and of the illustrious house of Sforza.
And if any of the above-mentioned things seem impossible or impracticable to anyone, I am most readily disposed to demonstrate them in your park or in whatsoever place shall please Your Excellency, to whom I commend myself with all possible humility.